My assemblage work brings together foraged natural materials, recycled objects, and papier mâché to construct small-scale worlds and sculptural environments. Each piece is built slowly by hand, allowing materials to guide form, balance, and meaning.

The works draw on ideas of magic, folklore, and the unseen—not as fantasy, but as ways of thinking about transformation, care, and connection. Natural elements sit alongside human-made debris, creating fragile ecosystems where the boundary between what is found and what is made becomes blurred.

Working with recycled and existing materials is a deliberate choice. Objects that have lost their original purpose are reassembled into new narratives, given space to exist differently. Papier mâché functions as a binding and shaping material, allowing disparate elements to coexist while retaining their individual histories.

These assemblages operate as quiet acts of world-building. They invite close looking, offering spaces where imagination, memory, and material presence meet—suggesting that new worlds can be formed from what already exists.